As I rediscover the joys (or the ills) of vinyl, here’s Kai Schäfer incredible World Records series of photographs. I can’t stop wondering about the lighting setup, as the photos seem rendered rather than captured somehow. Wired.com
I really like National Geographic’s Found (I got the URL first, ha) for a daily dose of retro/archival photography. Here’s one of a balloon vendor running across a road with a trailing mass of balloons, taken 1921 in Buenos Aires by Newton W. Gulick.
Observing a solar eclipse on January 1, 1907, in the Tian-Shan mountains, probably in modern-day Uzbekistan. This is a photograph taken by Sergey Prokudin-Gorsky, a chemist and photographer who invented a new process for color photography and used it to document the Russian empire in the time period 1905-1915. You can view many of the photos on Flickr or at the Library of Congress.
— From the Science Tumblr.
A Sudden Gust of Wind, Jeff Wall’s neo-pictorialist recreation of Katsushika Hokusai’s Ejiri in Suruga Province. Like a Field Mouse
Honkey Kong, a photo series by Christian Åslund. Neatorama
These are some of my early experiments with slit-scan photography, made while trying a Processing application I coded mostly as a learning exercise. The software allows you to either 'scan' your webcam image or a video file, but since using my laptop as camera is a bit cumbersome, most of the above images were made by 'scanning' some random videos I had around. I'll have to try to shoot video specifically for slit-scanning — so far I found out that stable, sideways shots of slow-moving subjects work the best. (As an aside, slit-scan photography is basically one of the main techniques used by Photo-finish systems, only at very high frame rates.)
Anyway, I think the app is cool and stable enough to be worth sharing, so I made a download for Windows available — head to my Processing sketches page to get it!

World’s Fair, New York (1964), by Garry Winogrand. Magnificent Ruin
And here’s ten things Winogrand can teach you about photography.
While I'm not really eager to jump off the Instagram bandwagon after its Terms of Service debacle, as I slowly became fond of the Facebook-owned app, I came to realize that sometimes it's better to just be a costumer and pay for a service. Hence my decision to start syncing my Instagram photos to my Flickr account, copying all past photos in the process using Free the Photos. Since I auto-sync everything I have on Flickr to this little spot on the Web of mine, this means I'll have to rethink how I operate this very website, since I think the Tumblr / Flickr / Twitter / &etc. aggregation thing is starting to get a bit boring... and I really don't have the time for it now.
Apropos of all this, a friend showed me a good-looking Instagram alternative called EyeEm and we both tried it. And we found that it was such a privacy disaster (putting a big map on the WEB of your photos locations even after you explicitly turned that shit off and the mobile app acquiesced) that makes Facebook truly seem like a Johnny Tightlips. Just say no!
The More Pixels Law: Gigapixel Cameras and the 21st Century Reality Effect is an interesting read, but the above graph forgets about the 41 megapixel Nokia 808 cameraphone which completely closes the high-end/low-end megapixel gap. Anyway, I shudder to think of smartphones with gigapixel sensors running something like PlaceRaider (by then bought by Facebook and turned into the ultimate 3D augmented reality chat app or whatever kids will do in the 2030s). Will future society think there’s something wrong with people who keep their lenses covered with pieces of black electrical tape? New Aesthetic


































